Experimental Painting: Research and Conservation

Author:

Boros Bianca, , , ,

Abstract

The paper discusses two main aspects: incorporating experimental painting in student workshops and presenting results from the Proinvent project for enhancing research excellence. Techniques like collage, decollage, and unconventional material use were explored. The postdoctoral role under the Proinvent project involved lectures and workshops, focusing on acrylic colour use and enriching students' art experiences.

Publisher

Universitatea Gheorghe Asachi din Iasi

Subject

Nature and Landscape Conservation,Conservation

Reference15 articles.

1. "[1] P. Spiridon, I. Sandu, Muselife of the life of public, International Journal of Conservation Science, 7(1), 2016, pp. 87-92.

2. [2] O. Florescu, I.C.A. Sandu, P. Spiridon-Ursu, I. Sandu, Integrative participatory conservation of museum artefacts. Theoretical and practical aspects, International Journal of Conservation Science, 11(1), 2020, pp. 109-116.

3. [2] P. Spiridon, I. Sandu, L. Stratulat, The conscious deterioration and degradation of the cultural heritage, International Journal of Conservation Science, 8(1), 2017, pp. 81-88.

4. [3] I. Sandu, Modern Aspects Regarding the Conservation of Cultural Heritage Artifacts, International Journal of Conservation Science, 13(4), 2022, pp. 1187-1208.

5. [4] I. Sandu, New Materials and Advanced Procedures of Conservation Ancient Artifacts, Applied Sciences-Basel, 13(14), 2023, Article Number: 8387, https://doi.org/10.3390/app13148387.

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