1. Auerbach, Erich: “Miller the Musician”, in his, Mimesis: The Representation of Reality in Western Literature, trans. by Willard R. Trask [1953], Princeton and Oxford: Princeton University Press, 2003, 434–53.
2. Barry, Thomas F.: “Love and Politics of Paternalism: Images of the Father in Schiller’s Kabale und Liebe”, Colloquia Germanica 22 (1989), 21–37.
3. Guthrie, John: “Schiller, Kabale und Liebe”, in: Peter Hutchinson (ed.), Landmarks in German Drama, Bern: Peter Lang, 2002, 31–45.
4. Harrison, Robin B.: “The Fall and Redemption of Man in Schiller’s Kabale und Liebe”, German Life and Letters 35 (1981), 5–13.
5. McInnes, Edward: “‘Verlorene Tochter’: Reticence and Ambiguity in German Domestic Drama in the Late Eighteenth Century”, in: David Jackson (ed.), Taboos in German Literature, Oxford, Providence, RI: Berghahn, 1996, 27–42.