Introduction
Author:
Affiliation:
1. York St John University
2. Luleå University of Technology
3. University of Aveiro
4. Alfonso X el Sabio University
Publisher
Open Book Publishers
Link
https://books.openbookpublishers.com/10.11647/obp.0398.00.pdf
Reference13 articles.
1. Cobussen, Marcel, ‘The Trojan Horse. Epistemological Explorations Concerning Practice Based Research’, Dutch Journal of Music Theory, 12/1 (February 2007), 18–33.
2. Crispin, Darla, ‘The Deterritorialization and Reterritorialization of Artistic Research’, Online Journal for Artistic Research, 3 (2019), 45–59
3. Crispin, Darla, ‘Looking back, Looking through, Looking beneath. The Promises and Pitfalls of Reflection as a Research Tool’, in Knowing in Performing: Artistic Research in Music and the Performing Arts, ed. by Annegret Huber, Doris Ingrisch, Therese Kaufmann, Johannes Kretz, Gesine Schröder, and Tasos Zembylas (Bielefeld: Transcript Verlag, 2021), pp. 35–50
4. Dalagna, Gilvano, Sara Carvalho and Graham Welch, Desired Artistic Outcomes in Music Performance (Abingdon: Routledge, 2021), https://doi.org/10.4324/9780429055300
5. De Assis, Paulo, Logic of Experimentation: Rethinking Music Performance through Artistic Research (Leuven: Leuven University Press, 2018)
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