12. Employability Skills within an Inclusive Undergraduate and Postgraduate Performance Curriculum in the UK

Author:

Minors Helen Julia1ORCID

Affiliation:

1. York St John University

Abstract

This chapter illustrates two parallel artistic research pedagogic projects, led by the author at Kingston University, Taking Race Live and the Inclusive Curriculum Framework, which aimed to integrate employability skills into the music curriculum of both undergraduate and postgraduate music students, while at the same time, working to develop an inclusive curriculum. Exploring work over the last decade, this chapter asks: how can we embed employability skills alongside performance technique, aesthetic understanding and analytical ability? How can these embedded skills be developed in an authentic manner to support students’ learning? What might an inclusive performance curriculum look like?

Publisher

Open Book Publishers

Reference36 articles.

1. Blain, Martin and Helen Julia Minors (eds), Artistic Research in Performance through Collaboration (Basingstoke: Macmillan, 2020)

2. Buck, Lil and Yo Yo Ma, ‘Yo Yo Ma and Lil’ Buck Do “The Swan” in Beijing’, YouTube, uploaded by Flatone, 7 Nov 2014, https://www.youtube.com/watch?v=qfEYjKWJ56E

3. Bull, A., D. Bhachu, A. Blier-Carruthers, A. Bradley and S. James, ‘Slow Train Coming? Equality, Diversity and Inclusion in UK Music Higher Education’, Equality, Diversity and Inclusion in Music Studies Network (2022) https://edims.network/report/slowtraincoming/

4. Östersjö, Stefan, ‘Art Worlds, Voice and Knowledge: Thoughts on Quality Assessment of Artistic Outcomes’, Online Journal for Artistic Research, 3/2 (2019), 60–89

5. Cyrino, Marina, ‘An inexplicable hunger – flutist)body(flute (dis)encounters’, PhD Dissertation (University of Gothenburg, 2019), https://gupea.ub.gu.se/handle/2077/59147

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