Heuristics and Eidetic in the Phenomenology of Culture

Abstract

Eidetic abstractions based upon individuation together with heuristic programs for the examination of conjectures are the forms of intentional reflection developed within the intuitive thought. The initial point of such development is parcellation of cultural texts that is to be marked where the introduced relation “the whole – the parts” passes further to the relation “the inner – the outer” and “text – epoch” with the principle of subjective activity and the inner textual transformation in reflection that gain importance. It is textual spatial and temporal structure where eidetic and heuristic elements come into interaction most effectively; in particular, the construction of depth in a pictorial plane serves as the model for the cognition of historical reality that cannot be observed immediately. The model of labyrinth in which frames of the heuristic searches are displayed determines their procedures as the sequence of alternative choices where the continuous correction of hypotheses takes place. The premises for the development of heuristic programs are those of ambiguity and indefiniteness of eidetic images together with the self-denial of the automatism of rhetoric conventions. It is due to heuristics that the prototypes for textual eidetic images are to be found. Prototypes function as the eidetic abstractions of personal characters addressed to scenic interpretation. Textual cyclic structure builds up the necessary condition for the disclosure and mediation of distance between the text and history, from closed episodes to the epoch.