The Problems of Genre Attribution of Medieval Female Chinese Poetry and Its Stylistic Features: Based on Liu Caichun’s Poetry

Author:

Dashchenko Hanna

Publisher

National Academy of Sciences of Ukraine (Co. LTD Ukrinformnauka) (Publications)

Subject

Philosophy,Religious studies,History,Language and Linguistics

Reference50 articles.

1. Adamek P. (2017), Good Son Is Sad If He Hears the Name of His Father: The Tabooing of Names in China As a Way of Implementing Social Values, Routledge, London and New York.

2. An Anthology of Chinese Literature: Beginnings to 1911 (1996), Stephen Owen (ed. and trans.), Norton, New York.

3. Barnstone T. and Chow P. (2005), The Anchor Book of Chinese Poetry: From Ancient to Contemporary. The Full 3000-Year Tradition, Anchor Books, New York.

4. Blanchard L. (2018), Song Dynasty Figures of Longing and Desire: Gender and Interiority in Chinese Painting and Poetry, Brill, Leiden and Boston.

5. Bossler B. (2012), "Vocabularies of Pleasure: Categorizing Female Entertainers in the Late Tang Dynasty", Harvard Journal of Asiatic Studies, Vol. 72, No. 1, pp. 71-99. DOI: https://doi.org/10.1353/jas.2012.0013

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