Codification of Composition Structures in the Works of Jin Shentan: Interrelation of Historical Records by Sima Qian and the Novel The Water Margin by Shi Nai’an

Author:

Kostanda Iryna

Publisher

National Academy of Sciences of Ukraine (Co. LTD Ukrinformnauka) (Publications)

Subject

Philosophy,Religious studies,History,Language and Linguistics

Reference21 articles.

1. Altenburger R. (2014), "Appropriating Genius: Jin Shengtan's Construction of Textual Authority and Authorship in His Commentated Edition of Shuihu Zhuan (The Water Margin Saga)", in That Wonderful Composite Called Author, Brill, Leiden, pp. 163-194. DOI: https://doi.org/10.1163/9789004279421_007

2. Ban G. (2003), Hàn shū, Zhonghua Book Company, Beijing. (In Chinese).

3. Bell C. L. (2016), Genuine Anguish, Genuine Mind: "Loyal" Buddhist Monks, Poetics and Soteriology in Ming-Qing Transition-era Southern China, PhD diss., University of Melbourne, Melbourne.

4. Ge L. (2003), "Authoring 'Authorial Intention': Jin Shengtan as Creative Critic", Chinese Literature: Essays, Articles, Reviews (CLEAR), Vol. 25. pp. 1-24. DOI: https://doi.org/10.2307/3594280

5. Goehr A. B. (2021), The Genius of Form: Jin Shengtan's (1608-1661) Transformative Literary Program, PhD diss., The University of Chicago, Chicago (IL).

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