Playing with the (Gendered) Rules of Stand-Up: Alternative Aesthetics of Power in Kristen Schaal: Live at The Fillmore

Abstract

ABSTRACT Why are female stand-up performers more likely to be viewed favorably if they are designated “alternative” rather than “mainstream”? Herein this article explores answers to this question while adding to the scholarship on alternative comedy in the United States, which emerged in the late 1990s and early aughts. Focusing on stand-up comedian Kristen Schaal, this article explains the connection between aesthetics and gender by arguing that the alternative style aims to subvert previous notions of performative power. By decentering masculine codings of power, alternative comedy evades the gender expectations that alienated mainstream audiences from female performers in the past, allowing female performers further avenues to success.