Publisher
The Pennsylvania State University Press
Subject
General Arts and Humanities,Cultural Studies,Gender Studies
Reference8 articles.
1. Anne Jamison, “Copyright and Collaboration: Wordsworth, Coleridge, and the Debate over Literary Property,” Romanticism 17, no. 2 (2011): 209-21, 210. See also Jack Stillinger, Multiple Authorship and the Myth of Solitary Genius (New York: Oxford University Press, 1991).
2. William Wordsworth, “Ode,” in William Wordsworth: 21st Century Oxford Authors, ed. Stephen Gill (Oxford: Oxford University Press, 2010), 281-86, 282 (line 64).
3. Adela Pinch, Strange Fits of Passion: Epistemologies of Emotion, Hume to Austen (Stanford, Calif.: Stanford University Press, 1996), 60.
4. Laura Mandell, “Felicia Hemans and the Gift-Book Aesthetic,” Cardiff Corvey: Reading the Romantic Text 6, no. 1 (June 2001): 1-12, 8, http://sites.cardiff.ac.uk/romtextv2/files/2013/02/cc06_n01.pdf.
5. Casie LeGette, Remaking Romanticism: The Radical Politics of the Excerpt (Basingstoke: Palgrave Macmillan, 2017).