Negotiating War and Patriarchy

Abstract

The horrific scenes of the Lebanese civil war (1975-1990), which left the country in ruins, had a traumatic effect on the entire nation particularly the Lebanese author, Hanan al-Shaykh who was haunted by the nightmarish war memories until she managed to overcome them by reliving the whole experience through the events of her remarkable novel The Story of Zahra. Disillusioned by the political scene during the war and exasperated with the traditional artistic themes advocated by previous generations of war writers, al-Shaykh rejected the linear development of character, the sense of order and progression integral to the war literature in the Arab world. Instead, she captures the atrocities of war by creating a unique novel, giving the Lebanese tragedy mythic proportions and turning it into more than a historical event. In light of this background and within the context of contemporary war fiction studies, the paper critically examines al-Shaykh’s novel in order to explore the deadly impact of war, which uproots the foundations of a civilized country turning it into a wasteland. The paper argues that the author creates a multi-layered narrative, which reflects the collapse of the moral and political structure of a patriarchal society paralyzed by coercive masculinity and devastated by sectarian violence. Navigating the protagonist’s journey of suffering and pain during the brutal civil conflict, the paper uncovers the underpinnings of war interpreting the novel as a gendered reflection of a divided country. The paper also emphasizes that the author presents a counter-narrative exposing the ugly side of war and revealing how war catastrophically damages the social fabric of the nation.