Abstract
AbstractThis essay argues that John Milton'sA Mask Presented at Ludlow Castle(1634) is influenced by early modern concepts of childhood in a way that critics have not recognized. Childhood was a problematic concept in contemporary religious, pedagogical, and legal discourses. Children were depicted as models of submission, but prone to impetuous indiscretion, and their path to adult agency was strewn with pitfalls, especially in the liminal period of youth.A Maskengages with and transforms these discourses. It rejects the political quietism routinely associated with childhood and shows that the child's unique sensitivity may offer a route to a particularly powerful kind of voice.
Publisher
Cambridge University Press (CUP)
Subject
Literature and Literary Theory,Visual Arts and Performing Arts,History
Cited by
3 articles.
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