1. DANCING IN ATHENS, DANCING ON DELOS: SOME PATTERNS OF CHORAL PROJECTION IN EURIPIDES
2. Image and world in epinician poetry
3. A survey of the themes that S. styles "choral constructions" is given at pp.12-21: it includes imagistic motifs (the assimilation chorus ~ agalma), areas of choral morphology, choreography, and choral politics (chorality as "vehicle for articulating and manifesting exchanges between different cities," p. 19), and aspects of spectatorship and visuality (the perceived collapse of boundaries between performers and audience in poetic accounts of choreia; choral song's ability to "make manifest events now remote in space, time and ontology" through enargeia and by devising metaphors and evoking scenarios "which imagine and facilitate performances in other venues and on future occasions," p. 21).