Abstract
Now that the great bulk of papers relating to John Locke in the Lovelace Collection has begun to yield up its treasure, the life and character of John Locke, as well as the life and character of his work, can be seen more fully than ever before. John Locke has firmly entered into political history, as Peter Laslett's researches have demonstrated; and Locke himself has become firmly embedded in the amorphous discipline called the history of ideas, since the history of his own ideas can now readily be examined. The wealth of material relevant to Locke's work has by no means provided his ideas with greater logical consistency, for the lack of which Locke has always had his critics. In some ways, the philosophical coherence of his work presents even greater problems than it used to, since the papers leave even more ravelled ends than the published books did. But the papers have provided something which may prove even more useful in understanding Locke's thought than a logical key to his thought: that is, the spectacle of a man thinking, and thinking hard, over four decades. Locke himself comes to appear a particular illustration of his own preoccupation with process and with the philosophical ideas arising from the concept of process: the long processes of his thinking, along so many major lines, may also be seen more clearly now in their complementary relation to one another.This paper, the heart excised from a longer study, deals with one line of Locke's thought, a line which has recently attracted serious scholarly attention, his views on language.
Publisher
Cambridge University Press (CUP)
Cited by
1 articles.
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