Bakhtin’s Philosophical Anthropology in Translation: Rhetoric Devices and Text Cohesion

Author:

Bruffaerts Natalia SergeevnaORCID,Moskvitcheva Svetlana A.ORCID

Abstract

The concepts developed by Mikhail Mikhailovich Bakhtin, a Russian theoretiсian of the 20th century, have had an important impact on the evolution of paradigms in humanities. However, his later works on literary theory continue to be far better known than his early essays on philosophical anthropology despite their key role in shaping Bakhtin’s thought. Published achronologically and imbued with innovative terms, Bakhtin’s works were sometimes translated by those who were unfamiliar with his concepts. The purpose of this study is to examine one of the earliest Bakhtin’s essays, Author and Hero in Aesthetic Activity , through a comparative perspective. The analysis is based on its French (1984) and English (1990) translations. It aims at revealing how the mechanisms of text cohesion and rhetoric are rendered in translation in order to convey the author’s ideas. The analysis has shown that the strategies chosen by the translators into French and English do not coincide and vary from ellipsis in French to amplification in English. The choice of coreferential models turns out to play a crucial role in structuring ideas in the target texts.

Publisher

Peoples' Friendship University of Russia

Reference20 articles.

1. Bonetskaya, N.K. (2022). S Bakhtin as a philosopher. Action, dialogue, carnival. Saint Petersburg: Aleteiya publ. (In Russ.).

2. Todorov, T. (1984). Mikhail Bakhtin: The Dialogical Principle, W. Godzich (trans.). Minneapolis and London: University of Minnesota Press.

3. Zbinden, K. (2006). The Bakhtin Circle and Translation. The Yearbook of English Studies, 36(1), 157-167.

4. Zbinden, K. (2006). Bakhtin Between East and West: Cross-cultural Transmission. Leeds: Maney Publ.

5. Zbinden, K. (1999). Traducing Bakhtin and Missing Heteroglossia. Dialogism, 2, 41-59.

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