Portrait of a Girly Girl: Self-Recording as a Feminist Practice

Author:

Pirandello SofiaORCID

Abstract

YouTube, Instagram and TikTok are increasingly used today as tools of resistance and environments of expression. This paper will focus on feminist video-selfies that address stereotypes of the female body, status and behaviour and propose to ironically dismantle them. The article will consider issues of female networked presence and creativity by referring to early attempts to create a personal video channel, documented by Elisa Giardina Papa in her video artwork need ideas!?!PLZ!! (2011). The undercover presentation of political content will be discussed as an activist strategy, as in artist Addie Wagenknecht’s fake make-up tutorials, in which she actually gives instructions on how to protect oneself both online and offline. Video-selfies are widely shared on social platforms as a playful way to meditate on personal identity. This happens, for example, thanks to the social filters of the artist S()fia Braga, which allow users to freely experiment with unfathomable views of themselves and to interact with others in a performative way. All these examples use creative strategies to convey a critical message. While never discouraging physical protest, they offer another ground for activism and dissent, and the possibility of literally embodying them.

Publisher

Milano University Press

Reference39 articles.

1. Abrams, Lynn. 2019. “Heroes of Their Own Life Stories: Narrating the Female Self in the Feminist Age.” Cultural and Social History 16 (2), 205–24. DOI: https://doi.org/10.1080/14780038.2018.1551273.

2. Andén-Papadopoulos, Kari. 2014. “Citizen Camera-witnessing: Embodied Political Dissent in the Age of ‘Mediated Mass Self-communication.’” New Media Society 16 (5): 753–69. DOI: https://doi.org/10.1177/1461444813489863.

3. Id. 2020. “Producing Image Activism After the Arab Uprisings. Introduction.” International Journal of Communication XIV (16): 5010–20. DOI: https://ijoc.org/index.php/ijoc/article/view/8516 /3232.

4. Berton, Mireille. 2019. “Le fantasmagorie cinematografiche dei medium spiritici.” In Apparizioni. Scritti sulla fantasmagoria, edited by Barbara Grespi and Alessandra Violi, 99–125. Roma: Aracne.

5. Brodsky, Judith K.. 2022. Dismantling the Patriarchy, Bit by Bit. Art, Feminism, and Digital Technology. London: Bloomsbury.

同舟云学术

1.学者识别学者识别

2.学术分析学术分析

3.人才评估人才评估

"同舟云学术"是以全球学者为主线,采集、加工和组织学术论文而形成的新型学术文献查询和分析系统,可以对全球学者进行文献检索和人才价值评估。用户可以通过关注某些学科领域的顶尖人物而持续追踪该领域的学科进展和研究前沿。经过近期的数据扩容,当前同舟云学术共收录了国内外主流学术期刊6万余种,收集的期刊论文及会议论文总量共计约1.5亿篇,并以每天添加12000余篇中外论文的速度递增。我们也可以为用户提供个性化、定制化的学者数据。欢迎来电咨询!咨询电话:010-8811{复制后删除}0370

www.globalauthorid.com

TOP

Copyright © 2019-2024 北京同舟云网络信息技术有限公司
京公网安备11010802033243号  京ICP备18003416号-3