Tourists, Vandals and Pilgrims: A Study of Participant Responses to the Gromit Unleashed Public Art Trail in Bristol, 2013

Author:

Pett Emma

Publisher

Palgrave Macmillan UK

Reference15 articles.

1. Burk, A.L. (2006) Beneath and Before: Continuums of Publicness in Public Art. Social and Cultural Geography [Online], 7 (6), 949–964.

2. CoreCities (2013) Bristol Available at http://www.corecities.com /about-us/core-cities/bristol [Accessed 2 January 2014].

3. Császi, L., and Gluck, M. (2009) The Budapest Cow Parade: Cultural Competence in a Global World, Found [Online] Available at http://www.socio.mta.hu /dynamic/CsasziL_The_Budapest_cow_parade.pdf [Accessed August 2013].

4. De Certeau, M. (1984) The Practice of Everyday Life. London: University of California Press.

5. Decker, J. (2002) Moo!! Oink!! Neigh!! Twanngg!! Themed Public Sculpture Invades American Streets. Journal ofAmerican and Comparative Cultures [Online], 25 (1–2), 119–123.

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1. An exploration of the techniques, outputs and outcomes of circulation management at exhibitions;International Journal of Event and Festival Management;2020-06-05

2. Understanding the impact and value of temporary public art sculpture trails;Local Economy: The Journal of the Local Economy Policy Unit;2020-05

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