1. Ahmed, Sara (2004) The Cultural Politics of Emotion (London & New York: Routledge).
2. Alston, Adam (2012a) ‘Damocles and the Plucked: Audience Participation and Risk in Half Cut’, Contemporary Theatre Review, 22:3, pp. 344-354.
3. ——— (2012b) ‘Reflections on Intimacy and Narcissism in Ontroerend Goed’s Personal Trilogy’, Performing Ethos Special Issue on Ethics in One-to-One Performance, 3:2, pp. 105-117.
4. Ashery, Oreet (2009) Interview with Author in LADA Study Room Guide on One-to-One Performance, pp.15-18, https://www.thisisliveart.co.uk/uploads/documents/OnetoOne_Final.pdf (accessed 10 June 2018).
5. B, Franko (2009) ‘Explicating Intercourse: Excerpts from a Dialogue on One-to-One Performance with Franko B’ in LADA Study Room Guide on One-to-One Performance, pp.10-14 https://www.thisisliveart.co.uk/uploads/documents/OnetoOne_Final.pdf (accessed 10 June 2018).