1. Ahmed, Sara (2006) Queer Phenomenology: Orientations, Objects, Others (Duke University Press).
2. Alston, Adam (2012) ‘Damocles and the Plucked: Audience Participation and Risk in Half Cut’, Contemporary Theatre Review 22(3), pp. 344-354.
3. B, Franko (2009) ‘Explicating Intercourse: Excerpts from a Dialogue on One-to-One Performance with Franko B’, LADA Study Room Guide on One-to-One Performance, pp.10-14 https://www.thisisliveart.co.uk/uploads/documents/OnetoOne_Final.pdf (accessed 10 June 2018).
4. Cesare, T. Nikki and Steve Luber (2005) ‘Never Tell: Nicole Blackman’s The Courtesan Tales’, The Drama Review 49(3), pp. 107-113.
5. Clark, Simon (2009) Reflection on Jess Dobkin’s Fee for Service in LADA Study Room Guide on One-to-One Performance, pp. 25-26, https://www.thisisliveart.co.uk/uploads/documents/OnetoOne_Final.pdf (accessed 10 June 2018).