1. Aumont, J., J. Comolli, J. Narboni and S. Pierre (1977) ‘Time Overflowing: Interview with Jacques Rivette’, trans. Amy Gateff, in J. Rosenbaum (ed.) Jacques Rivette: Texts and Interviews (London: British Film Institute), 9–38. Originally appeared in Cahiers du Cinema 204, 1968.
2. Buhler, J. (2014) ‘Gender, Sexuality, and the Soundtrack’ in D. Neumeyer (ed.) Oxford Handbook of Film Music Studies (New York: Oxford University Press), pp. 366–82.
3. Burch, N. (1981) Theory of Film Practice, trans. H. R. Lane (Princeton: Princeton University Pres).
4. Deleuze, G. (1989) Cinema 2: The Time-Image, trans. H. Tomlinson and R. Galeta (Minneapolis: University of Minnesota Press).
5. Deleuze, G. (2007) Two Regimes of Madness (Los Angeles: Semiotext(e)).