Pioneering Cinematic Technologies and The Hobbit’s Hyperreality Paradox
Author:
Publisher
Palgrave Macmillan UK
Link
http://link.springer.com/content/pdf/10.1057/978-1-137-59616-1_7
Reference62 articles.
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2. Atkinson, S. (2011). Stereoscopic-3D storytelling: Rethinking the conventions, grammar and aesthetics of a new medium. Journal of Media Practice, 12(2), 139–156. doi: 10.1386/jmpr.12.2.139_1 .
3. Aylsworth, W. (2012). High frame rate distribution. SMPTE Motion Imaging Journal, 121(6), 66–68. doi: 10.5594/j18215 .
4. Baranowski, A. M., Keller, K., Neumann, J., & Hecht, H. (2016). Genre-dependent effects of 3D film on presence, motion sickness, and protagonist perception. Displays, 44, 53–59.
5. Bombeke, K., Van Looy, J., Szmalec, A., & Duyck, W. (2013). Leaving the third dimension: No measurable evidence for cognitive aftereffects of stereoscopic 3D movies. Journal of the Society for Information Display, 21(4), 159–166. doi: 10.1002/jsid.164 .
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