The Perceiver’s Share (2): Deconstructive Musicology and Cognitive Science-Reference-Cited by-同舟云学术

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The Perceiver’s Share (2): Deconstructive Musicology and Cognitive Science

Published:2004 Issue: Volume: Page:185-226
ISSN:
Container-title:Language, Logic and Epistemology
language:
Short-container-title:

Author:

Norris Christopher

Publisher

Palgrave Macmillan UK

Link

http://link.springer.com/content/pdf/10.1057/9780230512368_6

Reference115 articles.

1. Aiello, Rita and John Sloboda (eds) (1993). Musical Perceptions. New York: Oxford University Press.

2. Adorno, T.W. (1973a). Philosophy of Modern Music, trans. W. Blomster. London: Sheed & Ward.

3. —(1973b). The Jargon of Authenticity. London: Routledge & Kegan Paul.

4. —(1974). Negative Dialectics, trans. E.B. Ashton. London: Routledge & Kegan Paul.

5. —(1982a). ‘On the problem of music analysis’, trans. Max Paddison. Music Analysis 1(2): 170–87.

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