Wessex and Elsewhere
Publisher
Palgrave Macmillan UK
Reference8 articles.
1. Charles Lock, ‘Hardy and the Railway’, Essays in Criticism, 50:1 (2000), p.64.
2. John Goode, Thomas Hardy: The Offensive Truth (Oxford: Blackwell, 1988), pp.141, 146.
3. Goode, Offensive Truth, p.141. See also Philip M. Weinstein, The Semantics of Desire: Changing Models of Identity from Dickens to Joyce (Princeton and London: Princeton UP, 1984): ‘The landscape of Jude the Obscure, unlike that of Tess of the d’Urbervilles, is overwhelmingly cultural. The landmarks within it comprise the range of human institutions and conventions by which the journeying spirit finds itself stymied rather than fulfilled.’
4. Marjorie Garson, Hardy’s Fables of Integrity: Woman, Body, Text (Oxford: Clarendon Press, 1991), p.169. See also
5. Andrew Enstice, Thomas Hardy: Landscapes of the Mind (London and Basingstoke: Macmillan — now Palgrave Macmillan, 1979), p.6 for Christminster’s similarities to Casterbridge seen by Henchard and to the Great Barn at Weatherbury.