1. Steven Mentz’s “Selling Sidney: William Ponsonby, Thomas Nashe, and the Boundaries of Elizabethan Print and Manuscript Cultures,” Text 13 (2000): 169.
2. Louis Montrose, “Celebration and Insinuation: Sir Philip Sidney and the Motives of Elizabethan Courtship,” Renaissance Drama n.s. 8 (1977): 3–35.
3. Alan Hager, “Rhomboid Logic: Anti-Idealism and a Cure for Recusancy in Sidney’s Lady of May” ELH 57 (1990): 485–502
4. Marie Axton, “The Tudor Mask and Elizabethan Court Drama,” in English Drama: Forms and Development: Essays in Honour of Muriel Clara Bradbrook, eds. Marie Axton and Raymond Williams (Cambridge: Cambridge Univ. Press, 1977), 24–47
5. Dorothy Connell, Sir Philip Sidney: The Maker’s Mind (Oxford: Clarendon Press, 1977).