1. William J. Maxwell, “Banjo Meets the Dark Princess: Claude McKay, W. E. B. Dubois, and the Transnational Novel of the Harlem Renaissance,” in The Cambridge Companion to the Harlem Renaissance, ed. George Hutchinson (Cambridge: Cambridge University Press, 2007).
2. Robert P. Smith Jr., “Rereading Banjo: Claude McKay and the French Connection.” CLA Journal 30, no. 1 (September 1986): 46–58
3. Kotti Sree Ramesh and Kandula Nirupa Rani, Claude McKay: The Literary Identity from Jamaica to Harlem and Beyond (Jefferson, NC: McFarland, 2006).
4. Gilles Boetsch and Jean-Noel Ferrié, “Ancient Survivals, Comparatism, and Diffusion: Remarks on the Formation of the Mediterranean Cultural Area,” in The Mediterranean Reconsidered: Representations, Emergences, Recompositions, ed. Mauro Pernissi and Ratiba Hadj-Moussa (Gatineau: Canadian Museum of Civilization, 2005), 9–11.
5. Mauro Pernissi and Ratiba Hadj-Moussa, “Introduction,” in The Mediterranean Reconsidered: Representations, Emergences, Recompositions, ed. Mauro Pernissi and Ratiba Hadj-Moussa (Gatineau: Canadian Museum of Civilization, 2005), 1.