1. Robert Markley, ‘“Be Impudent, Be Saucy, Forward, Bold, Touzing, and Leud”: The Politics of Masculine Sexuality and Feminine Desire in Behn’s Tory Comedies’, in J. Douglas Canfield and Deborah C. Payne (eds). Cultural Readings of Restoration and Eighteenth-Century English Theater (Athens and London: University of Georgia Press, 1995), 125
2. Edward Burns, Restoration Comedy: Crises of Desire and Identity (Basingstoke: Macmillan, 1987), 136.
3. Elaine Hobby, Virtue of Necessity: English Women’s Writing 1646–1688 (London: Virago Press, 1988), 116; Eric Rothstein and
4. Frances M. Kavenik, The Designs of Carolean Comedy (Carbondale and Edwardsville: Southern Illinois University Press, 1988), 250.
5. Deborah C. Payne, ‘“And Poets Shall by Patron-Princes Live”: Aphra Behn and Patronage’, in Mary Anne Schofield and Cecilia Machecki (eds). Curtain Calls: British and American Women and the Theater, 1660–1820 (Athens: Ohio University Press, 1991), 113–18