1. R. G. Collingwood (1970 [1939]) An Autobiography (London: Oxford University Press), p. 3.
2. F. Neumann (1989) New Essays on Performance Practice (Ann Arbor; London: UMI Research Press), p. 3.
3. See L. Goehr (1992) The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music (New York: Oxford University Press).
4. L. Dreyfus (1983) ‘Early Music Defended against Its Devotees: A Theory of Historical Performance in the Twentieth Century’, Musical Quarterly, 69:3, p. 298.
5. W. M. Johnston (1967) The Formative Years of R. G. Collingwood (The Hague: M. Nijhoff), p. 29.