1. Roy Porter, ‘History of the Body’, in Peter Burke (ed.), New Perspectives on Historical Writing (Cambridge: Polity Press, 1991), 206–33; 209–11.
2. Vincent Sherry, The Great War and the Language of Modernism (Oxford: Oxford University Press, 2003).
3. Laura Marcus, ‘Corpus/Corps/Corpse: Writing the Body in/at War’, in Helen Zenna Smith, Not So Quiet: Stepdaughters of War (New York: The Feminist Press, 1989), 241–300; 249.
4. Ibid., 267. Her prime example is of course Virginia Woolf’s much cited statement on the topic of corporeal experience, in ‘Professions for Women’ (1931), that she has failed to tell the truth about her own body.
5. Santanu Das, Touch and Intimacy in First World War Literature (Cambridge: Cambridge University Press, 2005).