1. J. M. Clum, Still Acting Gay: Male Homosexuality in Modem Drama (New York: St. Martin’s Griffin, 2000 (1992)), pp. 263–4.
2. R. Wallace, ‘To Become: The Ideological Function of Gay Theatre’, Canadian Theatre Review 59 (Summer 1989), p. 7.
3. S. Young, ‘Sleeping with the Mainstream: Gay Drama and Theatre in Britain Moves in from the Margins’, Australasian Drama Studies, 31 (October 1997), p. 75.
4. B. Roberts, ‘Whatever Happened to Gay Theatre?’, New Theatre Quarterly, 16, 62 (May 2000), p. 175.
5. J. Butler, Gender Trouble: Feminism and the Subversion of Identity ( New York and London: Routledge, 1990 ).