Conclusions: The Ends of Classical Death

Author:

Hagin Boaz

Publisher

Palgrave Macmillan UK

Reference90 articles.

1. For a critical view on the supposed impossibility of representing the Holocaust particularly in the cinema, see Lawrence Baron, Projecting the Holocaust into the Present: The Changing Focus of Contemporary Holocaust Cinema (Lanham: Rowman & Littlefield Publishers, 2005), esp. 1–22.

2. Anton Kaes, “Holocaust and the End of History: Postmodern Historiography in Cinema,” Probing the Limits of Representation: Nazism and the “Final Solution,” ed. Saul Friedlander (Cambridge and London: Harvard University Press, 1992), 207.

3. Jean-François Lyotard, The Differend: Phrases in Dispute, trans. Georges Van Den Abbeele (Minneapolis: University of Minnesota Press, 1988), §2, 4.

4. Film Quarterly;I Konigsberg,1998

5. see Barbie Zelizer, Remembering to Forget: Holocaust Memory through the Camera’s Eye (Chicago: The University of Chicago Press, 1998); and on the concentration camp newsreel footage and its reception,

同舟云学术

1.学者识别学者识别

2.学术分析学术分析

3.人才评估人才评估

"同舟云学术"是以全球学者为主线,采集、加工和组织学术论文而形成的新型学术文献查询和分析系统,可以对全球学者进行文献检索和人才价值评估。用户可以通过关注某些学科领域的顶尖人物而持续追踪该领域的学科进展和研究前沿。经过近期的数据扩容,当前同舟云学术共收录了国内外主流学术期刊6万余种,收集的期刊论文及会议论文总量共计约1.5亿篇,并以每天添加12000余篇中外论文的速度递增。我们也可以为用户提供个性化、定制化的学者数据。欢迎来电咨询!咨询电话:010-8811{复制后删除}0370

www.globalauthorid.com

TOP

Copyright © 2019-2024 北京同舟云网络信息技术有限公司
京公网安备11010802033243号  京ICP备18003416号-3