Visualizing imperial encounters: PLACA and US-Central American solidarity murals in San Francisco’s Mission District

Abstract

AbstractThis article examines two 1984 murals—Keeping the Peace in Central America and Culture Contains the Seed of Resistance, Which Blossoms into the Flower of Liberation—painted in San Francisco’s Mission District by members of PLACA, a multi-ethnic collective of thirty-six mural activists. I discuss how the artists depicted imperial encounters in their murals dedicated to US-Central American solidarity as a strategy for building transnational support for Central American liberation movements in the 1980s. PLACA transformed Balmy Alley by creating twenty-seven murals protesting US intervention in Central America and celebrating Central American culture. The collective played a pivotal role in transforming Balmy Alley and manifested the larger Central American solidarity movement taking place across the United States.