Latina feminist moments of recognition: Contesting the boundaries of gendered US Colombianidad in Bomba Estéreo’s “Soy yo”

Author:

Cepeda María Elena

Publisher

Springer Science and Business Media LLC

Subject

Sociology and Political Science,History,Cultural Studies

Reference50 articles.

1. Ashton, H. 2018. Sonic Femmes: How the Ronettes Re-Shaped Rock and Gender. Unpublished manuscript. Last modified 13 May 2018.

2. Báez, J.M. 2018. In Search of Belonging: Latinas, Media and Citizenship. Urbana: University of Illinois Press.

3. Behar, R. 1996. The Vulnerable Observer: Anthropology That Breaks Your Heart. Boston: Beacon Press.

4. Bomba Estéreo. 2016. Soy yo. YouTube, 7 September. https://www.youtube.com/watch?v=bxWxXncl53U.

5. Boylorn, R.M., and M.P. Orbe. 2013. Introduction: Critical Autoethnography as Method of Choice. In Critical Autoethnography: Intersecting Cultural Identities in Everyday Life, ed. Robin M. Boylorn and Mark P. Orbe, 13–26. Walnut Creek, CA: Left Coast Press.

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