1. Amelia Jones, Body Art: Performing the Subject0 (Minneapolis: University of Minnesota Press, 1998), 152.
2. Peter Eckersall, “What Can’t Be Seen Can Be Seen: Butoh Politics and (Body) Play,” in Body Shows, ed. Peta Tait (Amsterdam and Atlanta, GA: Rodopi, 2000), 150.
3. Dennis Altman, Global Sex (Chicago: University of Chicago Press, 2001), 100.
4. For a discussion of female performers and body/media in Dumb Type, see Katherine Mezur, “Fleeting Moments: The Vanishing Acts of Phantom Women in the Performances of Dumb Type,” Women and Performance: A Journal of Feminist Theory, 12: 1 (#23 2001): 189–206.
5. Larissa Hjorth, “Pop and Ma: The Landscape of Japanese Commodity Characters and Subjectivity,” in Mobile Cultures: New Media in Queer Asia, ed. Chris Berry, Fran Martin, and Audrey Yue (Durham, NC: Duke University Press, 2003), 158–179.