Shifting Listening Identities – Towards a Fluidity of Form in Digital Music-Reference-Cited by-同舟云学术

Shifting Listening Identities – Towards a Fluidity of Form in Digital Music

Published:2012 Issue: Volume: Page:24-43
ISSN:
Container-title:Identity, Performance and Technology
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Author:

Schroeder Franziska

Publisher

Palgrave Macmillan UK

Link

http://link.springer.com/content/pdf/10.1057/9781137284440_3

Reference57 articles.

1. Attali, J. 1985. Noise: The Political Economy of Music. Minneapolis, MN: University of Minnesota Press.

2. Born, G. 2010. ‘Listening, Mediation, Event: Anthropological and Sociological Perspectives’, Journal of the Royal Musical Association 135.1: 79–89.

3. Boulez, P. 1960/1986. ‘Sonate, que me veux-tu?’ German version published in Darmstädter Beiträge zur neuen Musik, Vol. III. Mainz: Schott, 27–40. English Version in Orientations: Collected Writings. London: Faber & Faber (1986), 143–54.

4. Boulez, P. 1981. Points de repère, ed. J.-J. Nattiez. Paris: Seuil; trans. M. Cooper as Orientations. London: Faber & Faber 1986.

5. Boulez, P. 1986b. ‘Technology and the Composer’, in S. Emmerson, ed., The Language of Electroacoustic Music. London: Macmillan.

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