Witness or Accomplice? Unsafe Spectatorship in the Work of Anthony Neilson and Simon Stephens-Reference-Cited by-同舟云学术

Witness or Accomplice? Unsafe Spectatorship in the Work of Anthony Neilson and Simon Stephens

Published:2014 Issue: Volume: Page:135-151
ISSN:
Container-title:Ethical Speculations in Contemporary British Theatre
language:
Short-container-title:

Author:

Angelaki Vicky

Publisher

Palgrave Macmillan UK

Link

http://link.springer.com/content/pdf/10.1057/9781137297570_8

Reference22 articles.

1. Bennett, S. (1997) Theatre Audiences: A Theory of Production and Reception, 2nd edn (Abingdon: Routledge).

2. Billington, M. (2008) ‘Review of Relocated’, Guardian, 18 June, http://www.guardian.co.uk /stage/2008/jun/18/theatre.reviews (accessed 22 January 2013).

3. Bourdieu, P. (1986) Distinction: A Social Critique of the Judgement of Taste, trans. R. Nice (Abingdon: Routledge).

4. Crouch, T. (2009) The Author (London: Oberon).

5. Curtis, N. (2012) ‘Simon Stephens Talks on His New Play Three Kingdoms’, Evening Standard, 3 May, http://www.standard.co.uk /goingout/theatre/interview-simon-stephens-talks-on-his-new-play-three-kingdoms-7707198.html (accessed 12 February 2013).

Cited by 3 articles. 订阅此论文施引文献订阅此论文施引文献，注册后可以免费订阅5篇论文的施引文献，订阅后可以查看论文全部施引文献

1. A Postdramatic Reading: Misogyny in Simon Stephens’s Play Three Kingdoms;HUMANITAS - Uluslararası Sosyal Bilimler Dergisi;2022-03-15

2. PSYCHOLOGICAL PLANE: SIGMUND FREUD’S SUBCONSCIOUS MIND IN SIMON STEPHENS’S “BLUEBIRD”;Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi;2021-06-24

3. Collaborative Sites of Resistance;Stage Business and the Neoliberal Theatre of London;2020