Zombie Culture: Dissent, Celebration and the Carnivalesque in Social Spaces

Author:

Austin Emma

Publisher

Palgrave Macmillan UK

Reference39 articles.

1. Arnold, C. (2006) Necropolis: London and Its Dead, London: Simon and Schuster.

2. Astruc, R. (2010) The Renewal of the Grotesque in the Novel of the Twentieth Century, Paris: Classiques Garnier Publishing.

3. Bakhtin, M. (1984) Rabelais and His World, Translated by Hélène Iswolsky, Bloomington: Indiana University Press.

4. Bishop, E. (1990) ‘Bakhtin, Carnival and Comedy: The New Grotesque in Monty Python and the Holy Grail’, Film Criticism, 15 (1), 49–64.

5. Boyle, D. (2002) (Director) 28 Days Later, [Motion Picture], Britain/USA: UK Film Council/ DNA Films.

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1. “Keep Chaos Out, Order In”: Grid and Architectural Space in Colson Whitehead’s Zone One;The Explicator;2024-07-22

2. When the Zombies Come Marching. Performances in Public Spaces, Mimetic Pleasures, and Entrepreneurial Youth in Cordoba (Argentina);Exploring Ibero-American Youth Cultures in the 21st Century;2021

3. Gameful Interactions: The ‘Ludification’ of Zombie Fiction;Death, Culture & Leisure: Playing Dead;2020-08-20

4. References;Death, The Dead and Popular Culture;2018-05-23

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