1. Vivian Sobchack, Screening Space. The American Science Fiction Film. (New York: Rutgers University Press, 1997), 145.
2. Kathrin Fahlenbrach, “Emotions in Sound. Audiovisual Metaphors in the Sound Design of Narrative Films.” Projections. Journal for Movies & Mind 2, no.2 (2008): 85–103;
3. ZZ Fahlenbrach, Audiovisuelle Metaphern. Zur Körper- und Affektästhetik in Film und Fernsehen (Marburg: Schüren-Verlag, 2010).
4. Ronald Inglehart, The Silent Revolution: Changing Values and Political Styles among Western Publics (Princeton, NJ: Princeton University Press, 1977).
5. In contrast to the traditional Left, represented by Western worker movements and Marxist ideologies since the nineteenth century and the socialist countries, the New Left was characterized by its antiauthoritarian use of Marxist ideas. Influenced by the Situationist International and by antiauthoritarian philosophers such as Herbert Marcuse, the New Left disclaimed any form of authoritarian system in politics, society, and in private lifes. Cf. Martin Klimke, The Other Alliance. Student Protest in West Germany and the United States in the Global Sixties (Princeton, NJ/Oxford: Princeton University Press, 2010).