1. Johanna Eyer-Kordesch, ‘Georg Ernst Stahl’s Radical Pietist Medicine and its Influence on the German Enlightenment’, in Andrew Cunningham and Roger French, ed., The Medical Enlightenment of the Eighteenth Century (Cambridge, MA, 1990), 67–87, esp. 70 and 80.
2. James Kennaway, ‘Stimulating Music: The Pleasures and Dangers of “Electric Music,” 1750–1900’, Configurations 19 (2011), 191–211, esp. 192–197, and Penelope Gouk and Ingrid Sykes, ‘Hearing Science in Mid-Eighteenth-Century Britain and France’, Journal of the History of Medicine and Allied Sciences 66.4, 507–545, esp. 523–524.
3. Walter Pater, ‘Conclusion’, in Charles Harrison, Paul Wood and Jason Gaiger, ed., The Renaissance: Studies in Art and Poetry in Art in Theory: 1815–1900 (Oxford: Oxford University Press, 1998), 828–830.
4. Penelope Gouk, ‘In Search of Sound: Authenticity, Healing and Redemption in the Early Modern State’, The Senses and Society 2 (2007), 303–328, here 307–311.
5. See, for example, Roy Porter, ‘William Hunter: A Surgeon and a Gentleman’, in Roy Porter and William F. Bynum, eds., William Hunter and the Eighteenth-Century Medical World (Cambridge, MA: Cambridge University Press, 1985).