Reference24 articles.
1. For a list of these plays and statistics see McMullan, 259; Trudi L. Darby and Alexander Samson, “Cervantes on the Jacobean Stage,” in Ardila, 211. Important studies of the relationship between Fletcher and Cervantes include: Taylor, “History” and Valerie Wayne, “Don Quixote and Shakespeare’s Collaborative Turn to Romance,” in Quest, 217–38; Trudi Darby, “Cervantes in England: The Influence of Golden-Age Prose Fiction on Jacobean Drama, c. 1615–1625,” Bulletin of Hispanic Studies 74 (1997): 425–41;
2. Diana de Armas Wilson, “Of Piracy and Plackets: Cervantes’ La señora Cornelia and a. Fletcher’s The Chances,” in Cervantes for the 21st Century, ed. Francisco La Rubia Prado (Newark: Juan de la Cuesta, 2000), 49–60; Alexander Samson, “Last Thought upon a windmill”?: Cervantes and Fletcher’, in Ardila, 223–33; Darby and Samson, “Cervantes”;
3. Edward M. Wilson, “Rule a Wife and Have a Wife and El sagaz Estacio,” Review of English Studies 24 (1948): 189–94.
4. Samson, “A Fine Romance: Anglo-Spanish Relations in the Sixteenth Century,” Journal of Medieval and Early Modern Studies 39 (2009): 66.
5. On the fraught Anglo-Spanish relationship see, for example, Sampson, “Fine”; Barbara Fuchs, Exotic Nation: Maurophilia and the Construction of Early Modern Spain (Philadelphia: University of Pennsylvania Press, 2009).
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