1. Thomas Hardy, The Well-Beloved, edited with Introduction and Notes by Tom Hetherington, Oxford World’s Classics (Oxford: Oxford University Press, 1998), p. 70; au2. _See Stefan Sharff, The Elements of Cinema (New York: Columbia University Press, 1982), p. 183.
2. Rosemary Sumner, A Route to Modernism: Hardy, Lawrence, Woolf (Basingstoke: Macmillan, 2000), p. 85
3. See Ken Ireland, The Sequential Dynamics of Narrative: Energies at the Margins of Fiction (Cranbury, NJ and London: Associated University Presses, 2001), pp. 80–7.
4. Quoted by Norman Page, ed., Oxford Reader’s Companion to Hardy (Oxford: Oxford University Press, 2001), p. 456.
5. Purdy and Pettit, p. 94. Simon Gatrell, Hardy the Creator: A Textual Biography (Oxford: Clarendon Press, 1988), pp. 141–57