1. Christopher Marlowe, Tamburlaine, ed. J. S. Cunningham (New York: St. Martin’s Press, 1999).
2. Colleen Glenney Boggs, “American Bestiality: Sex, Animals and the Construction of Subjectivity,” Cultural Critique 76 (Fall 2010): 101.
3. See Madhavi Menon, Judith Butler, and others. The former notes that queer “necessitates an openness not only to sexual and gendered possibilities, but also to chronological, national, racial, philosophical and animal choices,” and that “Queerness is not a category but the confusion engendered by and despite categories.” Menon, Shakesqueer: A Queer Companion to the Complete Works of Shakespeare (Durham, NC: Duke University Press, 2011), 6–7.
4. Haraway, “Manifesto for Cyborgs: Science, Technology and Socialist Feminism in the 1980s,” Socialist Review 80 (1985): 67–8.
5. Marcus, “Epilogue: Marlowe in Tempore Belli,” in War and Words: Horror and the Literature of Warfare, eds. Sarah Munson Deats, Lagretta Tallent Lenker, and Merry G. Perry (Lanham, MD: Lexington Books, 2002).