1. Henry Marsh, Do No Harm: Stories of Life, Death and Brain Surgery (London, 2014), p. 14.
2. Suzannah Biernoff, ‘The Rhetoric of Disfigurement in First World War Britain’, Social History of Medicine 24.3 (2011), pp. 666–85.
3. Emma Chambers, ‘Fragmented Identities: Reading Subjectivity in Henry Tonks’ Surgical Portraits’, Art History 32.3 (2009), pp. 578–607 (p. 586).
4. Sander Gilman, Making the Body Beautiful: A Cultural History of Aesthetic Surgery (Princeton, 2001), p. 162.
5. Harold Gillies, Plastic Surgery of the Face (London, 1920), p. 8.