1. Jorge Luis Borges, Collected Fictions, Andrew Hurley, trans. (New York: Viking, 1998).
2. Leah Price, How to Do Things with Books in Victorian Britain (Princeton, NJ: Princeton University Press, 2012);
3. Erin C. Blake and Stuart Sillars, Extending the Book: The Art of Extra-Illustration (Washington, DC: Folger Shakespeare Library Seattle, Distributed by University of Washington Press, 2010);
4. Ellen Gruber Garvey “Imitation Is the Sincerest Form of Appropriation: Scrapbooks and Extra-Illustration,” Commonplace 7, no. 3 (April 2007), available at www.common-place.org (accessed March 22, 2012); Robert Darnton, The Case For Books: Past, Present, and Future (New York: Public Affairs, 2009);
5. Robert A. Shaddy, “Grangerizing: One of the Unfortunate Stages of Bibliomania,” The Book Collector (Winter 2000); Lucy Peltz, “The Pleasure of the Book: ExtraIllustration, an 18th-Century Fashion,” Things 8 (Summer 1998) and “The Extra-Illustration of London: The Gendered Spaces and Practices of Antiquarianism in the Late Eighteenth Century,” in Martin Myrone and Lucy Peltz, eds., Producing the Past: Aspects of Antiquarian Culture and Practice 1700–1850 (Aldershot, UK: Ashgate, 1999); Anthony Grafton, Commerce With the Classics: Ancient Books and Renaissance Readers (Ann Arbor: University of Michigan Press, 1997).