1. Monica Germanà (2011) ‘The Sick Body and the Fractured Self: (Contemporary) Scottish Gothic’, Gothic Studies, 13.2, 1–8, p. 5.
2. Camille Manfredi (2009) ‘Aesthetic Encounter, Literary Point-Scoring, or Theft? Intertextuality in the Work of Alasdair Gray’, in Claude Maisonnat, Josiane Paccaud-Huguet and Annie Ramel (eds), Rewriting/Reprising in Literature: The Paradoxes of Intertexuality (Newcastle upon Tyne: Cambridge Scholars), pp. 26–34, p. 30.
3. Fiona Robertson (1994) Legitimate Histories: Scott, Gothic, and the Authorities of Fiction (Oxford: Clarendon), p. 86.
4. Ann Rigney (2012) The Afterlives of Walter Scott: Memory on the Move (Oxford: Oxford University Press), p. 4.
5. Ian Duncan (2007) Scott’s Shadow: The Novel in Romantic Edinburgh (Princeton: Princeton University Press), pp. 8, 29.