1. Editorial, “Hail the Great Victorym the Revolution of Peking Opera, ” in Hongqi (Red Flag) 6 (1967), reprinted in Jiang Qing, On the Revolution of Peking Opera, (Beijing: Foreign Language Press, 1968), 8.
2. Paul Clark, The Chinese Cultural Revolution: A History (New York: Cambridge University Press, 2008), 10.
3. See John Winzenburg, “Aaron Avshalomov and New Chinese Music in Shanghai, 1931–1947,” Twentieth-Century China, 37(1) (2012): 50–72.
4. Richard Curt Kraus, Pianos und Politics in China (New York: Oxford University Press, 1989), 120.
5. Michael Leslie Klein, Intertextuality in Western Art Music (Bloomington, IN: Indiana University Press, 2005), 11–12.