Voyeuristic Revisionism? (Re-)Viewing the Politics of Neo-Victorian Adaptations

Author:

Grasl Caterina

Publisher

Palgrave Macmillan UK

Reference27 articles.

1. Boehm-Schnittker, N. and S. Gruss (2011) ‘Introduction: Spectacles and Things — Visual and Material Culture and/in Neo-Victorianism,’ Neo-Victorian Studies 4:2, 1–23.

2. Brosh, L. (2008) Screening Novel Women: From British Domestic Fiction to Film (Basingstoke: Palgrave Macmillan).

3. Bruzzi, S. (2002) ‘Desire and the Costume Film: Picnic at the Hanging Rock, The Age of Innocence, The Piano’ in G. Turner (ed.) The Film Cultures Reader (New York: Routledge).

4. Byrne, K. (2009) ‘“Such a Fine, Close Weave”: Gender, Community and the Body in Cranford (2007), Neo-Victorian Studies 2:2, 43–64.

5. Carroll, S.J. (2008) ‘Lesbian disPossession: The Apparititonalization and Sensationalization of Female Homosexuality’ in A.S. Byatt’s Possession: A Romance’ Critique 49:4, 357–378.

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