The city in film: Reading Dhobi Ghat and Island City as cinematic representations of Mumbai

Abstract

Urban spaces harbour the capacity to embody varied social relations that constantly interact to form lived experiences. As the society has gradually transformed from a collection of rural settlements to a largely metropolitan space, urban fiction as a literary genre set in city landscapes has become increasingly popular. In a century dominated by new media technologies, the changing contours of contemporary societies became widely visible in the images and interpretations available through cinema. Cinema as one of the predominant modes of cultural expressions has played a performative role in encapsulating the changing lifestyles, attitudes and landscapes. The city as a mosaic of complexity, diversity and contradictions has consequently become an inseparable part of the world’s largest film industry – Bollywood. The Indian megacity of Mumbai has thus become a site of ‘glocal’ interconnections and polyphonic voices. Not only has the city contributed to the production and dissemination of films, but its increased influence has also allowed it to feature as a ‘character’ in many films. This article seeks to evaluate select cinematic narratives to foreground the living realities of the megacity of Mumbai. While examining the representation of Mumbai in two films released post-2010 – Dhobi Ghat (Mumbai Diaries) and Island City, the article intends to interpret the implicit and explicit meanings in the cinematic language of these films. It seeks to argue that cinematic representations of Mumbai help to characterize ways of perceiving the city as a complex, multi-layered urban text. Rather than visualizing the city as an empty space that simply holds the narrative together, the article aims to show how cities in films become characters themselves, engulfing those of flesh and bone.