Subject
Literature and Literary Theory,Music,Visual Arts and Performing Arts
Reference17 articles.
1. Crombez, T. (2008), Het Antitheater van Antonin Artaud: een onderzoek van de veralgemeende artistieke transgressie toegepast op het werk van Romeo Castellucci en de Societas Raffaello Sanzio (The Anti-Theatre of Antonin Artaud: an examination of aesthetic transgression applied to the work of Romeo Castellucci and Societas Raffaello Sanzio), Ghent: Academia Press.
2. Deledalle, G. (1979), Theorie et pratique du signe (The Theory and Practice of the Sign), Paris: Payot.
3. Everaert-Desmedt, N. (2006), Interpreter l'art contemporain: La semiotique peircienne appliquee aux oeuvres de Magritte, Klein, Duras, Wenders, Chavez, Parant et Corillon (Interpreting Contemporary Art: Applying Peircean semiotics to the works of Magritte, Klein, Duras, Wenders, Chavez, Parant and Corillon), Brussels: De Boeck.
4. Antonin Artaud and the Impossible Theatre: The Legacy of the Theatre of Cruelty
5. Sense and Sensation: Exploring the Interplay between the Semiotic and Performative Dimensions of Theatre
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