Screenwriting sound and music: Towards a new field of study

Author:

Rudolph Pascal1ORCID,Tieber Claus2ORCID

Affiliation:

1. ISNI: 0000000109421117 University of Potsdam and ISNI: 0000000100723688 Nuremberg University of Music

2. ISNI: 0000000122861424 University of Vienna

Abstract

Extensive research in film and media studies on film music and sound has delved into various aspects of their role in cinema, recognizing their significance. However, a crucial element in film production – the screenplay – has often been overlooked in the exploration of sound and music integration. Concurrently, studies on screenwriting have displayed limited interest in the acoustic dimensions of film, creating a research gap where film music studies intersect with screenwriting studies. This Special Issue aims to address this gap by emphasizing the screenplay’s importance in comprehending the role of sound and music in film. This introduction showcases the diverse ways in which music and sound are integrated into screenplays. The ongoing exploration of screenplays for the analysis of sound and music sets the stage for future research endeavours. The editors and authors of this Special Issue advocate for the screenplay as a valuable resource in film music studies, providing innovative insights into the film production process.

Publisher

Intellect

Reference7 articles.

1. The musical idea work group: Production and reception of pre-existing music in film;Twentieth-Century Music,2023a

2. Writing sounds in the scripts: Five types of “Screenplay Music”,2023b

3. Walter Reisch: The musical writer;Journal of Screenwriting,2019

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