‘The dance of drawing’ and the limits of digital assistance

Author:

Goubert Magali1ORCID

Affiliation:

1. ISNI: 0000000122426780 University of Lille

Abstract

By looking at ‘the dance of a drawing’, this paper questions the interest and limits of digital technologies in the world of drawing and, more broadly, the visual arts. Based on the system of Effort conceived by the movement theorist Rudolf Laban (1879–1956), the author proposes a new way of apprehending pictorial and graphic form, from its expressive movements. This approach leads the author to distinguish between two modes of graphic expression, the sensory and the rational, which are both opposed and complementary. By inviting the viewer to observe the dance of paintings by Van Gogh and Seurat on the one hand and children’s drawings on the other, the paper underlines how digital technology cannot completely replace traditional drawing techniques.

Publisher

Intellect

Subject

Visual Arts and Performing Arts

Reference18 articles.

1. Affectivity and movement: The sense of sensing in Erwin Straus;Phenomenology and the Cognitive Sciences,2004

2. Neural decoding of expressive human movement from scalp electroencephalography (EEG);Frontiers in Human Neurosciences,2014

3. “The dance of drawing” and the limits of digital assistance;Drawing: Research, Theory, Practice,2023

4. The dance of a drawing: Expressive movement between dance, drawing and writing;Ph.D. thesis,2022

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