Towards a posthuman turn in drag: Will the queer ever be human?

Abstract

What is drag? (How) can we understand drag performance beyond gender? Given the growing trend in drag performance towards the un/gendered non/post/in/human, we reconsider what, precisely, makes a performance drag. Integrating insights from queer theory, performance studies and critical posthumanism, this editorial develops a framework to not only provide an orientation to the individual contributions of this Special Issue, but also argue for a larger theoretical turn in drag scholarship. We consider the composite materiality of and relationship between the human performer and their posthuman drag, and propose that the act of dragging, which can use, but does not exclusively rely on gender, constitutes a more expansive queer performance modality that makes the familiar strange, yet allows for recognition in what is otherwise unintelligible. Posthuman drag celebrates the abject, the marginal and the un/imaginable, shifts the focus from disaster to potentiality and imagines a future in which queers can be human.